Top 10 Songs by U2

I have compiled this list of my 10 favourite U2 songs. @crazytwism @piu_frankie @pushkarbhatt @latecomer @kyrasinging2 have helped me in compiling this list.

1. One: I think this song really represents the group. Since the beginning, U2 has been a rock band with an eye on what's going on in the world, and consistently, it's songs have been about things like freedom, peace, unity, love. Plus consider all Bono's extracurriculars. I think One best encapsulates that whole spirit of the band. And it's musically and lyrically a powerful song.

2. Still Haven't Found What I'm Looking For: You know the version I like best? The one with the Gospel choir adding their own verses. I love the combination of styles in the song, Bono's voice and the gospel voices bringing out the spiritual elements of a song that already was infused with a spiritual quest vibe. This might be my favorite U2 song personally. (Also try: Where The Streets Have No Names, Desire)

3. Sunday Bloody Sunday: You can't think of U2 without thinking of Ireland or without thinking of politics or without thinking of anthems. This song combines all three into one of the band's first widely embraced hits. Also good for the purpose of comparing: songs by the young band and songs by the more mature, let's say, band.

4. Walk On: A lot of people took this song to heart post 9/11 when things were very dark and bleak. No wonder why, since the song's got a strong message of encouragement (and Bono openly invited Osama Bin Laden to kiss his backside at concerts...) But it's also poetic and you can't beat the guitar. All around a great song, and one in keeping with the ongoing soul searching theme U2 often deals with. So, what more do you need? (Also try: Sometimes You Can't Make It On Your Own)

5. Angel Of Harlem: This U2 song has a great blend of upbeat jangling guitar that brings you in from the start and lyrics that pay tribute to jazz legends like John Coltrane and the angel herself, Billie Holiday. U2's connection to African American music is a recurring element, and this song is a fantastic valentine, blending jazz and blues history with guitar-strumming rock. (Also try: Mysterious Ways, The Sweetest Thing)

6. Beautiful Day: With the release of this single on All That You Can't Leave Behind, U2 re-earned the title Best Rock Band In the World, or at least claimed they wanted to re-claim it. The lyrics of course remain smart and filled with topical references, but it also rocks as promised. (Also try: Even Better Than The Real Thing, Vertigo)

7. Pride: Here's another U2 song linked to the band's social justice interests and it's connection to Black American history with it's reference to Martin Luther King's assassination. But that content only adds to a song that's musically powerful with maybe the group's most famous opening bars. Tackling a heavy theme and also rocking, that's the classic U2 combination.

8. With Or Without You: If you're in your early to mid-thirties and American, this may be the song you most associate with U2. Aficionados who know more songs than I do will probably have other answers, but I think this song always seems unique in sound, to me, and remains their most sensual love-related songs, too. (Also try: All I Want Is You)

9. When Love Comes to Town: This U2 song features co-lead vocals with B.B. King and the combination tears it up. B.B. and Bono combine for something of a down and dirty version of what Bono and the Gospel choir did in Still Haven't Found What I'm Looking For. Blues meets rock and they have a party. But don't miss the lyrics, eventually they refer to Jesus, too. You'll have to go a long way to find another religious song like this. (Also try: One with Mary J. Blige.)

10. Elevation: It may be a long shot to get anyone to agree with me that this song, of all the U2 songs out there, belongs in the top ten, but as far as my personal preferences go, this song with it's hard rock edge - pun intended - stands out from other recent hits. So, I add it. Rock on, Edge.

Sorry if I missed out on any of the songs.

Michael Jackson’s mystery children

Some mysteries may never to be solved. Who killed JFK? Where’s Jimmy Hoffa? What’s up with the Bermuda Triangle?

But the world inched closer yesterday to a possible answer to a mystery that has stumped some of the keenest gossip minds for more than a decade: Who fathered Michael Jackson’s children?

The online tabloid TMZ.com - which scooped the international media last week on the pop icon’s death - yesterday claimed to remove the glove of secrecy, weighing in with the stunner that Jacko did not sire his kids . . . and that the presumed mother of two of them was a surrogate.

“We’ve learned Michael Jackson was not the biological father of any of his children. And Debbie Rowe is not the biological mother of the two kids she bore for Michael. All three children were conceived in vitro,” TMZ reported, saying it was unclear who donated the sperm and eggs.

Meanwhile, Us magazine’s Web site, citing “multiple sources,” said of the two eldest, Prince Michael and Paris: “Their biological father is Arnold Klein, Jackson’s L.A.-based dermatologist and Rowe’s former boss . . . ”

Such an arrangement might resolve media speculation - based on his children’s lack of black features - that Jackson purposely had white kids through surrogates.

But Us contradicted TMZ on one point, quoting Rowe’s lawyer Marta Almli: “Particularly hurtful . . . is the most recent rumor - which is entirely false - concerning the maternity of the children. Ms. Rowe is the biological mother of the two oldest children.”

Parenthood issues could be critical if custody or Jackson’s will are challenged. Jackson’s mother, Katherine, was granted temporary control of assets and temporary custody Monday, and Rowe reportedly is not making a claim.

But yesterday, The Wall Street Journal reported that a 2002 will names Jackson’s three kids and his mom as beneficiaries, but leaves out his dad, Joseph, whom Jacko claimed made his childhood hell.

TMZ also reported Prince Michael II’s surrogate mother was never told the identity of the “receiving parent” - raising the prospect she may yet emerge.

Meanwhile, TMZ reported the LAPD wants to talk to Klein about whether he gave Jackson prescription drugs. And a Jackson nutritionist said she got a frantic call from a Jackson staffer four days before he died, pleading for the powerful sedative Diprivan.

Cherilyn Lee, a registered nurse, said, “He called and was very frantic and said, ‘Michael needs to see you right away.’ I said, ‘What’s wrong?’ And I could hear Michael in the background . . . ‘One side of my body is hot, it’s hot, and one side of my body is cold.’ . . . I said, ‘Tell him he needs to go the hospital. I don’t know what’s going on, but he needs to go to the hospital . . . right away.”

Top 10 best Michael Jackson songs: MJ RIP

Michael Jackson was undoubtedly the most disturbed musician of all time. He’s also the greatest R&B performer ever—both as a singer and a dancer—and a top 10 all-time artist, right next to Mozart, The Beatles, and Led Zeppelin. If you’ve forgotten how talented he was in the recording studio or on stage, I encourage you to listen to Thriller, the best-selling album of all time.

With the King of Pop’s recent death, I can’t think of a better time to list his best hits. There are 20 other songs equally worthy of the honor, but in terms of what gets me moving the most, these are the top 10 Michael Jackson songs of awesome:

10. Break of Dawn. I doubt many people have listened to Jackson’s 2001 album Invincible, but there’s no excuse to miss this track. MJ croons over silky bass lines just like days of old. Cliche lyrics aside, it just might be the most groovin’ song of the decade, it’s so good. Too good, in fact.
9. Rock With You. If there’s one pre-80s song to get people on the dance floor, it’s this one. From Off the Wall, Jackson’s first mature album, he urges “Let the rhythm get into you, don’t try to fight it, there’s nothing you can do.” And he’s right. Resistance is futile, the beat is so infectious.
8. Thriller. While the killer video steals the spotlight, the song itself is a choreographer’s dream. Like most of Jackson’s songs, it’s especially difficult to avoid dancing while listening to this one. And the Vincent Price break down, requested by Michael himself, is just brain gravy.
7. One More Chance. Another lesser known favorite from his Number Ones album, One More Chance is filled with Jackson’s signatures “uhs” and “whys,” which never get old. After listening to this one, I’m convinced no one sings as punctual as MJ.
6. Black Or White. Wait! Don’t let the silly intro fool you. Black Or White is most awesome, thanks to the punchy guitar, sliding bass, and of course, Jackson’s “woo!”s of plenty.
5. I Want You Back. Recorded with the Jackson 5 in 1969, I Want You Back features the greatest pop chord progression of all time. It’s also the definitive sound of sunshine, Afros, bell bottoms, and summer love in my book. Good stuff.
4. Human Nature. I love this song. I love its lyrics. I love its ’80s contemporary sound—the kind that reminds me of riding in my mother’s 1984 station wagon, the same year in which Thriller was release. When they ask why, give them the greatest excuse of all time: “Tell ‘em that it’s human nature.”
3. P.Y.T. (Pretty Young Thing). Oh snap! Ladies and gentlemen, I give you the funkiest Jackson song ever recorded. It’s upbeat, it has freaking robots singing back up vocals, and it features the only bassline Herbie Hancock was known to covet (not true, but it should be). If you don’t move your feet when hearing this, you have no soul.
2. Man In The Mirror. Most singers are lame activists. They generically demand everyone to make love not war. But Jackson cuts to the core and gets candid with this one. “I’m starting with the man in the mirror,” he sings. “I’m asking him to change his ways,” he concedes “And no message could have been any clearer: If you want to make the world a better place, take a look at yourself, and then make the change.” Stop waiting for everyone else to change the world. Do it yourself.
1. Billie Jean. Since Jackson is so versatile, picking a single track that best embodies his style is near impossible. But if a hermit were to ask me, “Who is this Michael Jackson you speak of?” I would slide him a copy of Thriller, and play track number 6. This is ultimate Jackson. The anthem of moon walk. And easily one of the top 10 songs of all time.

Honorable mention, and an oh-so close number 11: Leave Me Alone

Long Live The King...

Delhi 6 Preview ... Free Mp3 Download.

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After director Rakeysh Omprakash Mehra wowed us with Rang De Basanti [Images] two years ago, he's back with Delhi-6, starring Abhishek Bachchan [Images] and Sonam Kapoor [Images].

The title is inspired from the pin code of an area in Delhi [Images], where the story is based. This area houses the historical Jama Masjid and Red Fort [Images].

The story sees Roshan travelling from the USA to India with his ailing grandmother. Little does he know that this quick trip will turn into the longest journey of his life. Delhi-6 is told against the backdrop of the ancient walled city of Delhi.

The film is likely to release in February.

Top 7 Lionel Richie Songs of the '80s

As a consummate pop star of the 80s, Lionel Richie famously stacked up 13 consecutive Top 10 hits, a remarkable feat indeed. However, his propensity for pop singles inevitably meant the three albums he released contained little else in terms of commercial or critical appeal, assuming, of course, that all of the hits were actually good. And that’s a hefty assumption. That’s why I’ve chosen to select just over half of Richie’s signature tunes for my best-of list. Wheat from the chaff, they say.

To Download Lionel Ritchie Mp3 Songs Free Just Click on The Name of the Song.

1. “Endless Love”This overwrought karaoke classic served as the primary catalyst for Richie’s unsurprising departure from the Commodores, after his duet with Diana Ross hit No. 1 on the pop charts in the summer of 1981 and stayed there for nine weeks. Best sung or lip-synched by the brave and self-assured with maximum facial contortions and gesticulation, the ballad boasts a memorable, gentle verse that explodes (if adult contemporary pop can do that) with a positively sublime bridge. Must stop now. Verklempt.

2. “My Love”I must confess I heard this one the other day on the radio, listened intently all the way through, and felt significantly better than I had just before during my drive home from work. OK, so maybe it wasn’t so much the song, but I choose to believe it was. Richie had a knack for taking all the darkness out of romance, and a love ballad has rarely been this effervescent and sunny before or since. At the same time, the tune never devolves into a cheesefest; it’s just a highly pleasant listen.

3. “You Are”Although Richie eliminated almost all soul/R&B aspects of his sound (what few there ever were) after he left the Commodores and embarked on his successful solo career, he manages to find a nifty groove on this song nevertheless. As usual, the singer amps things up perhaps a bit too far for the chorus, but in the verses and bridge Richie has probably never been more subtle and emotionally commanding. It’s a sumptuous and delicate performance, and I’ve always liked it, dammit. Are you satisfied?

4. “Stuck on You”Richie reveals a little eclecticism with this song, and though it’s not his only flirtation with country music, it is his best. The tune’s success also stems from its almost clinical laid-back approach to the love ballad. Once again, Richie walks a dangerously thin line by downplaying passion’s tempest in favor of a lived-in, tamed version of love. But somehow he invests the song with sufficient feeling anyway and handles his most important task effectively, to make his performance convincing.

5. “Running with the Night”While Richie the balladeer was never at his best on up-tempo numbers, this one is most definitely the lesser of three evils and far less embarrassing than either “All Night Long” or, especially, “Dancing on the Ceiling”. Luckily, on this tolerable selection, Richie refrains from attempting either a forced Latin/Caribbean vibe as he does on “All Night Long” or engage in abject silliness involving ceilings. Instead, he delivers a solid, if somewhat vanilla, mainstream pop/rock tune.

6. “Ballerina Girl”So I’ll cut through the suspense right now and confess that I’m leaving “Hello” off this lost, for the sake of my sanity if not for any remaining shreds of dignity. In the resulting void I submit this lesser-known but still somehow compelling ballad that perfectly captures Richie’s extreme romanticism, which borders on pathological here. Nonetheless, his composer’s gift for melody shines through as usual and results in a slow-dance special that epitomizes “easy listening.”

7. “Say You, Say Me”Back when his show still contained the phrase “late night” in its title, David Letterman employed this tune to great effect for a comedy bit. Richie’s music has always teetered right on the edge of unintentional comedy, but his melodic gifts cannot be stopped; they can't even be contained. As always, it’s best not to puzzle too much over the meaning of the lyrics or search for interesting layers. Even so, this latter-day Richie hit from the '80s captured something substantial about the decade.

Ten Best Eric Clapton Songs - Download MP3 Free

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Layla

The opening riff simply tears through your senses. Layla was definitely Eric at his best. His short stint with Derek and the Dominos generated only one album, but it is arguably one of the most dazzling, shining works in his catalog. This song says it with such force and conveys painfully powerful emotions-a rather fitting cry of frustration from his famously unrequited love affair with his best friend George Harrison's then-wife Patti Boyd, for whom he wrote the song. Yet even in the stripped-down, mellowed version that he put out in 1994's Unplugged, Eric breathes new life into the song and rekindles old passions that have long been put to rest.

Bellbottom Blues

This is another classic from Eric's period with the Dominos. It's a mellow track, yet the intensity of feeling that he conveys here clearly rivals that of Layla, or of any great blues player for the matter. He sings of an unrequited love, and a searing sadness fathoms the track, climaxing with some soaring string bending and guitar wailing. That simple, haunting riff just rings in your ears and finds its way to your heart. Blues purists may resent the rock-tinged feel of the song, but no doubt Eric is one fine bluesman who can convey oceans of emotion. This song alone is enough to attest to that.

Crossroads

This was the track that merited him the famous graffiti that said "Clapton is God". His years at Cream were some of his best which, combined with the genius of Jack Bruce and Ginger Baker, saw unprecedented experimentation with jazz progressions as no rock trio had ever attempted. Crossroads is a completely new take on the Robert Johnson blues standard, complete with those guitar pyrotechnics and extended improvisations that propelled Clapton to god-like cult-worship status in London's 1960s music scene.

Badge

Another selection from his years with Cream, Badge was co-written with George Harrison. The two had met some years earlier and from there grew one of the greatest friendships in contemporary music history, even withstanding Clapton's aching affair with Harrison's first wife Patti Boyd. Although more of a pop track than Eric's blues-purist preferences, Badge has become a standard in Eric's concert repertoires, perhaps as a fond tribute to George. Every performance of this song sees Eric bringing something different into it, and his solos have only grown more expressive with age, like something nearing perfection after 40 years in the making.

Have You Ever Loved A Woman

This is one of Eric's signature songs, way back from his Derek and the Dominos period. A Chicago-blues style tune infused with some excellent and heavy improvisations, Have You Ever Loved A Woman is legendary Clapton material. Here, he conveys painful and lucid oceans of emotion, again in reference to his unrequited love affair with Patti, pining the realization that "…she belongs to your very best friend." Whoever says that Clapton doesn't have the soul of a bluesman should have a listen to this track, and that would settle the argument once and for all.

Old Love

Written with renowned bluesman and his good friend Robert Cray, Old Love is a powerfully moving ballad that staged Eric's comeback as a bluesman in the late eighties. Shedding the experimental-mostly pop-material which he fumbled and languished in for the most part of the 70's and 80's, the arrival of this song shatters any doubts about him having outlived his glory days and reminds us mere mortals, who might already have forgotten, why Clapton is, indeed, god.

Cocaine

This J.J. Cale classic has been immortalized, thanks to Clapton's ingenious guitar playing. Who could ever mistake that opening phrase for something less worthy? It's not nearly as searing as his work with Cream or the Dominos, but Cocaine is nevertheless a good place to start when exploring Clapton's catalogue as a solo artist. Electrifying riffs rightly impact the audience of the pulsating highs and disarming perils of…cocaine.

I Shot The Sheriff

This piece of Bob Marley legacy became Eric's first number one in the U.S. He first got a taste of Marley when a session guitarist played an album during a recording session. Turned out that Eric couldn't get enough of it and ended up jamming to I Shot the Sheriff an entire day! Shortly after the release of his chart-topping cover version, Eric got a call from Bob himself and he shares that "I kept asking him if it was a true story - did he really shoot the sheriff? What was it all about? He wouldn't really commit himself. He said that some parts of it were true, but he wasn't going to say which parts."

Wonderful Tonight
This may be Eric's most overplayed standard, blaring through afternoon ‘rewind' radio programs just about everywhere. Even non-Clapton fans will have probably heard this song at one time. But discounting this fact - -let's face it - -this is about Eric's most tender, poignant ballad and the anthem of many a hopeless romantic. He wrote this song while waiting for Patti - -his future wife - -dress up for a party they were going to. Here is simply a beautiful song for a beautiful lady that inspired some of Eric's most creative moments in his four-decade long career.

Tears In Heaven

Where has that electric guitar-clad rock god gone? Eric dons an acoustic for this number, and shows the world that he can do music like his heroes before him have done - -stripped down, unamplified fingerpicking that draws from a very sincere, moving well of feeling. His performance of this song in 1994's Unplugged was his greatest success story since his downward spiral into drug addiction and his subsequent rehabilitation. Behind his triumph though, was an aching tragedy. Eric originally penned this song for his son Conor, then 4 years old, who died after falling off the balcony of his Italian lover Lori Del Santo's condominium unit in New York. This is Eric unplugged, as if mellowed out with age and a trove of experiences - -fragile, tender, yet intensely reflective.

Ghajini Music Review - Download Mp3 Free

Music : A. R. Rahman
Director : A.R.Murugadoss
Lyrics : Prasoon Joshi and Pravin Mani
Starring : Aamir Khan, Asin and Jiah Khan

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Year 2008 will indeed go down as one of the most historic one for the lovers of quality film music as it will be remembered as the year when Bollywood's most revered and talented and extremely choosy music director, of this era, A. R. Rahman bestowed upon his fans four superlative albums. Starting with Ashutosh Gowariker's magnum-opus JODHAA AKBAR followed by ADA - A WAY OF LIFE, Aamir Khan's JAANE TU... YA JAANE NA and the most recent one, Subhash Ghai's YUVVRAAJ. Needless to add that all these albums were classy and a hit with the patrons of good quality music, barring ADA- A WAY OF LIFE (commercially). His long term association with perfectionist actor, Aamir Khan has always brought out the best in Rahman (RANGEELA, LAGAAN, MANGAL PANDEY and RANG DE BASANTI) and naturally expectations assume humungous proportions as his last album, GHAJINI, makes it to the stands this year itself. The Tamil version of GHAJINI had some rocking music by the top music director of South India, Harris Jayaraj. And with music maestro, A.R.Rahman at the helm this time around, with help in the lyrical department from the new age lyricist, the intellectually brilliant Prasoon Joshi (their RDB was path breaking), things can only get better. So, without wasting time let us check out the GHAJINI audio.

Sonu Nigam's cupid struck humming and mandolin strums commence 'Guzarish' as he serenades the listeners, transporting them into a beautiful make belief romantic world, through this stunningly striking love ballad. Much like the signature tune of Rahman's last romantic track from the album, YUVVRAAJ ('Tu Meri Dost Hai') this love ballad too relies heavily on Sonu's haunting background hummings to create the subtle love effect. Here though, Sonu Nigam is the guest vocalist and is present only for the humming part, which is incorporated in the beginning, in between and also in the end. But don't be disappointed as Rahman's new favourite, Javed Ali ('Jashn-E-Bahara') holds fort quite strongly with his crackling strong vocals. Javed Ali is a revelation here, as in 'Jashn-E-Bahara' his vocals were quite base and deep to match Hrithik while here Javed's superb voice modulations are in sync with Aamir's perfect and smooth ones. Only his diction presents a minor problem which needs to be corrected. This propositioning number becomes super special because of Prasoon Joshi's lovely lyrics which are simple yet they are awesome, as there cannot be a better word than the urdu word, 'guzarish', meaning request to appear polite and polished . 'Bas ek haan ki guzarish, Phir hogi khushiyon ki barish, Tu meri adhuri pyaas pyaas, Tu aa gayi man ko raas raas, Ab to tu aa ja paas paas, Hai guzarish.' A proposal which cannot be turned down at any cost, such is the effect of the number. So all you guys in love go ahead, it's our 'guzarish' to propose to your beloved with this number this Valentine day and you sure will succeed. An excellent, in fact, a gem of a track from the maestro.

Suzanne is the female vocalist who has been entrusted with the next number, 'Aye Bachchu' . And the number is just right for Suzanne, as she has become a sort of an icon for the songs that require full of attitude, westernized singing. But we are forced to say that if this number was by Pritam, one would have rated it as passable but this comes from Rahman, the musical genius and so, it disappoints. Nothing, but the best is expected of the maestro. May be in his defense we can say that the song is a situational one but it is a let down nevertheless, specially after a cracker of a start in form of 'Guzarish'. Prasoon Joshi's lyrics though situational and apt still disappoint. Once again it's Prasoon, the lyricist of RANG DE BASANTI and TAARE ZAMEEN PAR, so obviously the level of expectancy is much higher. The recent number on this line that we heard was 'Oop Oop Cha' (DRONA) and 'Soniya'(KIDNAP).

Thankfully, Rahman and Prasoon are back to their best with the next track, 'Kaise Mujhe', a classy romantic composition that has a mesmerizing effect on the listeners. The beauty of the number lies in its very smooth, slow paced melody and the lovely musical arrangements in the background. The superb use of 'sitar', piano' lend an air of romance, a number that can be effectively be used in a candlelight dinner by a couple in love or even in ballroom dancing. This is true blue Rahman, the Rahman we all love and revere. And his counterpart, Prasoon Joshi who has always been a superb support too is in full flow. His poetic prowess is diligently brought to the fore through this lovely love ballad. 'Kaise mujhe tum mil gayee, Kismat pe aaye na yakeen' No 'tukbandi' (rhyming words), here. Of course the two singers Benny Dayal (after a splendid JAANE TU... and YUVVRAAJ) and Shreya Ghoshal need to be mentioned, as it is their combined superlative effort that makes this one an outstanding track, though it may not be universally appealing .